In Gerz' work a questioning of art emerges from an abyss of linguistic elements, which open up a space "like between the lines of Mallarmé".Marion Hohlfeldt 2002
Another aspect of these works is that they make us sensitive to "change" (both within the artwork in question, and beyond or outside it). These works often also "refer to" or "call to mind" or "evoke in us" history. But, being activated, we do not see in them works that force a vision of history on us. They create a free space: not only for the imagination but also for OUR conscience, our emotions, thoughts, memories. They leave us free to think, to feel, to choose a position vis á vis the past and the present.A.B. Meadows 2010
5 framed photographs, each 40 x 50 cm, all over 200 x 50 cm
See the edition Free ... (822).
Ulrich Jendeleit, Köln
New York 1991. Bremen 1992 (Karlsruhe 1993. Manchester 1993. Saarbrücken 1993. Altenburg 1993. Potsdam 1993). Sydney 1996 Canberra .1996. Brisbane 1996. Melbourne 1996)
I: Bremen 1992, p. 104
II: Potocka 1991, pp. 43-45, 96. Bode 1992, p. 67